Author: peter wyeth
07 2019
Back in the afternoons, wandering around the garden. I am very fond of Anglesey.
06 2019
I have hearing back in my left ear. Everything became suddenly brighter and too loud. Like a waking and/or a remembering. Here are some Walkman recorded and bowed guitars
05 2019
It’s the end of May. I can still here virtually nothing out of my left ear (currently). My house is still mostly a building site (currently). But below is the sound of the walk from Ophthalmology at the Leicester Royal Infirmary to the ground floor.
04 2019
It’s April. I appear to have lost the bulk of my hearing in my left ear (currently). My house is literally a building site (currently). Elastic bands and contact mics is about the best that I can manage.
03 2019
March has been long and at times really quite hard. These overlapping strands feel like the absent minded shading-ins where my mind has been ‘elsewhere’ when it should have been ‘there’. I guess this is me looking back at them and thinking ‘what was that?’
02 2019
The second of my ‘trying to make a thing a month’. I went away to Norfolk for a few days in February and took my recorder and some contact mics (that I’ve never used before) with me to try and record some of the sounds of the reeds and the marshes. I love the sound of the reeds swaying in the wind, that ‘whooooosssshhhhhhh’. I’ve always wanted to walk into the middle of it crouch down and listen – except you can’t really do that as it can be quite dangerous.
Instead I attached mics to wires, flung the Zoom into the reeds and grasses, generally hung 25 metres back from my family as they walk ahead, me just staring at whatever was around me. My recorder’s headphone out doesn’t work so I have no idea what I have recorded until I empty it out on the computer. It’s a little like film photography, it’s always a surprise.
pulling at the threads
Last weekend myself and the wonderful Lee Allatson played a short improvised set at the Under The Radar weekender put on by Magic Teapot and Echoloaction. It was a really enjoyable set, playing on the floor & feeling our way in the darkened room. Below is a video of the second half of our set, gradually pulling at the threads of the sounds we’d made and reducing them to a new quiet. A massive thank you to whoever filmed this, I am most grateful.
SLIE 2017 All In
The All In is the last session of the year for the south leicestershire improvisors ensemble, where as many guest performers from previous sessions join in to make one massive ensemble. This was my first time in a while playing in such a large ensemble. The range of instruments and sounds was really quite broad and fascinating to be a part of. There are some pictures here (and some below) taken by Jordan Parker. There is also a bandcamp link to the 2016 All In which you should definitely have a listen to as well.
Shining.Dreaming.
One of Luigi Marino‘s beautiful cymbals from last Thursday’s wonderful South Leicestershire Improvisors Ensemble show. Expansive, rewarding and magical.
