02 2019

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The second of my ‘trying to make a thing a month’. I went away to Norfolk for a few days in February and took my recorder and some contact mics (that I’ve never used before) with me to try and record some of the sounds of the reeds and the marshes. I love the sound of the reeds swaying in the wind, that ‘whooooosssshhhhhhh’. I’ve always wanted to walk into the middle of it crouch down and listen – except you can’t really do that as it can be quite dangerous.

Instead I attached mics to wires, flung the Zoom into the reeds and grasses, generally hung 25 metres back from my family as they walk ahead, me just staring at whatever was around me. My recorder’s headphone out doesn’t work so I have no idea what I have recorded until I empty it out on the computer. It’s a little like film photography, it’s always a surprise.

 

 

For Slapton Woods – Peter Meets Lucy

I have written about Lucy Stevens before ( gig envy! ) and have followed her work since I first found out about it. Despite living near-ish to one another we had never met. Then at the Her Name is Calla 10 year anniversary shows I asked the ever wonderful David Wilson Clarke if he knew her and he said ‘ Yes, would you like to meet her? She’s over there!’

A conversation took place and an idea was suggested and I went away to work on it but nothing I tried seem to work……… until a year and a bit later when something clicked and fell into place. And I’ve been keeping it to myself. I’ve been looking (listening) to it every two weeks or so to see if it’s still there and every time it catches me by surprise.

I like it very much and feel sufficiently bold enough to share it with you. Press play and drift off somewhere else. I hope you enjoy it.

The original field recording of Lucy’s is here – https://soundcloud.com/lucystevensaudio/dawn-chorus-slapton-woods

The unedited version of my bit is here – https://soundcloud.com/peterwyeth/for-slapton-prt-ii/s-wPrs1