Hairbrush? Check! Screwdriver? Check! Love song to the insignificance of us all in the face of the vastness of the night sky played in front of Kelly Richardson’s Mariner 9 installation? Check Check Check! This was a wonderful experience to be part of that I am so very grateful for.
My Phantom Voice. In the wood and the strings of the guitar.
I feel a need to explain but does it matter?
Everything vibrates with an energy.
That it then gets put in a little digital box for you to (hopefully) look at (first),
(Hopefully) listen to (second) is both my doing
The second of my ‘trying to make a thing a month’. I went away to Norfolk for a few days in February and took my recorder and some contact mics (that I’ve never used before) with me to try and record some of the sounds of the reeds and the marshes. I love the sound of the reeds swaying in the wind, that ‘whooooosssshhhhhhh’. I’ve always wanted to walk into the middle of it crouch down and listen – except you can’t really do that as it can be quite dangerous.
Instead I attached mics to wires, flung the Zoom into the reeds and grasses, generally hung 25 metres back from my family as they walk ahead, me just staring at whatever was around me. My recorder’s headphone out doesn’t work so I have no idea what I have recorded until I empty it out on the computer. It’s a little like film photography, it’s always a surprise.
The All In is the last session of the year for the south leicestershire improvisors ensemble, where as many guest performers from previous sessions join in to make one massive ensemble. This was my first time in a while playing in such a large ensemble. The range of instruments and sounds was really quite broad and fascinating to be a part of. There are some pictures here (and some below) taken by Jordan Parker. There is also a bandcamp link to the 2016 All In which you should definitely have a listen to as well.
Venturing further into spontaneous composition this week with South Leicestershire Improvisers Ensemble on Thursday 7th. Really looking forward to being a part of it. Come on down!
The distance between then and now is filled with the wonder of remembering what happened on the night. On how it amazing it felt being amongst all that sound; gently passing one idea on to one another and finally all arriving at the same place, looking at each other and listening and thinking and……………then it’s done.
I leapt at the chance of getting to work with Lucy and her recordings again. Getting to play with Rattle was, quite frankly, amazing. I am so happy that this happened and thank everyone that made it so.
Like the title says, there’s 4 days to go until the Performing Industry show with Rattle.
And what’s more, you can score yourself one of Lucy’s postcards for attending too!
Until then, here’s some prepared guitar (springs shoved under the strings) taken from one of the ideas sessions for you to listen too. See you on Thursday!
Yet more shaky handheld phone footage -this time of me panning round the main hall of the Attenborugh Arts Centre in readiness for the Performing Industry show with Rattle on Thursday 27th July. It’s not often you get chances to play nice quiet spaces like this and to be collaborating with one of the best bands around is, quite frankly, blowing my mind!
Come on down!
Rewind to 6 September 2012 and upstairs at The Cookie in Leicester City Centre Leicester Lo-Fi are having a ‘Make a Solagraph‘ camera thingy evening upstairs whilst downstairs Cats and Cats and Cats (I think) and You Slut! (I think) are doing their thing. Later that week I put one of the solagraphy coke cans on a semi-abandoned trailer on some farmland nearby pointing out towards Lutterworth. I reclaim it 14 days later (a shorter time span than I expected) when I notice that some work was taking place in the field. Despite a note explaining what the coke can was, it was bashed in at the side. The picture though………
At the same time, I attach another coke can to the side of the house and forget about it. 320 weeks later (this morning), I take it down. The results are not as good – too long an exposure? – or rather, not as distinct – half a landscape due to a gate taking up half the frame – but I still find myself drawn to the ghostly scratched out lines.
I like the process (or lack of it) of this, of it revealing itself, of having time mark itself upon it.
You should give it a go. I’m going to have another go too.